Amy Ireland (Sydney, 1981) is a philosopher, experimental writer, and member of the Laboria Cuboniks collective. She coordinates the research group Aesthetics After Finitude and, since 2021, has also been a co-editor at the British publishing house Urbanomic. Among her most notable works are *The Poememenon: Form as Occult Technology* (whose complete translation we are publishing for the first time in *Filosofía-Ficción*) and *Black Circuit: A Code for the Numbers to Come*, among other landmarks that have appeared in various media. Her work has been described as a dizzying "heretical remix" where inhuman aesthetics, technology, the electrocene, and the wild side of philosophy converge. In her work as a xenopoet, she has experimented with sound, 3D printing, translinguistic coding, appropriated technology, and projectiles. In the words of cultural critic A.J. Carruthers: “Amy Ireland is part of a new generation of formidable, moody Australian authors who have nothing to lose and everything to destroy.” Welcome to the New Frontier of cybertheory and Abyssal thinking.