The sense of cinema with the film form, by renowned Soviet director, are considered classic statements of the aesthetics of filmmaking. The sense of film recounts the experience of Eisenstein in creating Strike, Battleship Potemkin, Ten Days that Shook the World, The old and the new and Alexander Nevski to prove that cinema is the most expressive and deep medium one that appeals to all senses, like emotions and intellect. The review ends with a fascinating analysis of audiovisual correlation of a sequence of Alexander Nevski. The book also includes a complete list Eisenstein's work prior to filming or shooting, an early theoretical essay, strings of his scripts for An American Tragedy, Long live México¡, Sutter Gold and Ferghana channel a bibliography of his writings and diagrams and photographs of the original edition. Sergei Eisenstein was born in Riga in 1898. In 1925 he won fame with his silent film Battleship Potemkin The. Creator 26 years of the strike-a major cinematic expressions in the history of cinema, was a volunteer soldier in the Red Army in 1917, enthusiastic smith Proletcult in 1920, Meyerhold contributor and critic, teacher and theoretician of the Institute Moscow Film. Although he could only make six full movies before his death in 1948, is considered one of the most influential filmmakers and film theorists of our time.